Group Catalogues & Books

2017 

I Lost My Heart to a Starship Trooper. London: Solopress / Griffin Gallery. Text by Catherine Loewe.

 

2016 

A to Z of Contemporary Art. London: Frieze/Phaidon.

Buchli, Victor. "An Archeology of the Immaterial." London: Routledge. 

Fullerton, Elizabeth. Artrage!: The Inside Story of the BritArt Revolution. London: Thames & Hudson.

Jerwood Drawing Prize 2016. London: Jerwood Charitable Foundation.

Nude: From Modigliani to Currin. New York: Gagosian Gallery.

Rennaissances: Un hommage contemporain a Florence. Paris: Leinart.

Talking Art 2: Interviews with artists since 2006. London: Riding House.

Woodley, Frances. Models and Materialities: Confabulation and the Contemporary Still Life. Llandysul: Gomer Press.

 

2015

Art Fiction – De la ville aux étoiles, Paris: RMN.

Body of Art. London: Phaidon.

Centre Pompidou Provisoire, Centre Pompidou Malaga. Madrid: TF Editores.

Grovier, Kelly. Art Since 1989. London: Thames and Hudson.

One Day, Something Happens: Paintings of People: A Selection by Jennifer Higgie from the Arts Council Collection. London: Hayward Publishing. Foreword by Jill Constantine, text by Jennifer Higgie, Lynette Yiadom-Boakye, Glenn Brown, Milena Dragicevic, David Noonan, Paula Rego, Rose Wylie.

 

2014

Artists Talk. Nuremberg: Verlag für moderne Kunst Nürnberg. Edited by Gerald A. Matt; forword by Michael Kimmelman. 

Deblonde, Gaultier. Atelier. Gottingen: Steidl. Forward by Jim Lewis.

Face to Face: British Prints from the Clifford Chance Art Collection. London: Sir John Soane’s Museum. 

Lumières: carte blanche à Christian Lacroix. Paris: Paris Musées. Text by Christian Lacroix, Anne Hidalgo.

Post Pop: East Meets West. London: CentreInvest UK Limited. Text by Marco Livingstone, Chang Tsong-Zung, Andrey Erofeev.

Quattrone, Raffaele. IN ITINERE: arte contemporanea in trasformazione. San Cesareo (RM): EQUIPèCO.

REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Berlin: Galerie Max Hetzler. Edited by Jean-Marie Gallais.

Sammlung Im Wandel: Die Sammlung Rudolf und Ute Scharpff. Berlin: Holzwarth Publications. Texts by Stephan Berg, Michael Bracewell, Lutz Eitel, Ulrike Groos, Hans Dieter Huber, Peter Pakesch. 

SHE: Picturing women at the turn of the 21st century.Rhode Island: Brown University Press. 

Somos Libres II: Works from the Mario Testino Collection. Verona: Rizzoli for Pinacoteca Agnelli.

Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press.

The 21st Century Art Book, London: Phaidon.

Visages: Picasso, Magritte, Warhol..., Paris: Réunion des musée nationaux — Grand Palais. Texts by Alexis Chiari, Sylvie Courtine-Denamy, Christine Poullain, and Guillaume Theuliére.

 

2013

Art Now, Volume 4. Cologne: Taschen. Edited by Hans Werner Holzwarth.

Grovier, Kelly. 100 Works of Art That will Define Our Age, London: Thames & Hudson Ltd. 

Riotous Baroque: From Cattelan to Zurburan: Tributes to Precarious Vitality, Bilbao: Museo Guggenheim Bilbao. Edited by Bice Curiger.

 

2012

Beyond Reality: British Painting Today, Prague: Galerie Rudolfinum. Text by Petr Nedoma and Milena Slavicka.

Contemporary Art in the United Kingdom, London: Black Dog Publishing. Edited by Phoebe Adler; text by John Slyce.

Helvete/Hell, Stockholm: Liljevalchs. Text by Mårten Castenfors, Douglas Feuk, Barbro Stribolt.

L’Image peinte. Enjeux et perspectives de la peinture figurative des années 90 à nos jours. Chatou, France: Les Éditions de la Transparence. Edited by Jean-François Desserre.

The Mechanical Hand: Artists’ Projects at Pauper Press, London: Black Dog Publishing. Text by Michael Taylor in conversation with Glenn Brown. 

Mettais, Valerie. Portraits, France: Palette. 

Simulating the Marvellous, Manchester: Manchester University Press. Text by David Lomas and Jeremy Stubbs.

 

2011

Defining Contemporary Art – 25 Years in 200 pivotal artworks. London: Phaidon. Text by Suzanne Cotter, Bice Curiger, Connie Butler, Bob Nicklas, Daniel Birnbaum, Massimiliano Gioni, Okwui Enwezor and Hans Ulrich Obrist.

Grenier, Catherine. Dali, l'invention de soi. Paris: Flammarion. 

Grisaille. New York: Luxembourg and Dayan. Text by Alison Gingeras.

John Martin: Apocalypse. London: Tate. Text by David Bindman, Michael Campbell, Lars Kokkonen, Julie Milne, and Martin Myrone.

Le Surréalisme, c’est moi!: Homage to Dalí. Vienna: Kunstalle. Text by Wolfgang Fetz, Belinda Grace Gardner, Synne Genzmer, David Lomas, Gerald A. Matt, and Catherine Millet.

Mémoires du futur: la collection Olbricht. Paris: La Maison Rouge-Fondation Antoine de Galbert, Paris. Text by Annabelle Gugnon, Rainer Metzger, Damien Sausset, and Virginie Spenlé.

Mettais, Valerie. Portraits. France: Groupe Qualibris/Palette.

The Mystery of Appearance: Conversations Between Ten British Post-War Painters. London: Haunch of Venison. Text by Catherine Lampert and Tom Hunt.

Painting: Documents of Contemporary Art. London: Whitechapel Gallery and Cambridge (USA): The MIT Press. Edited by Terry R. Myers.

The Space Between: Collected Writings. London: Ridinghouse. Edited by Doro Globus, text by Michael Bracewell.

 

2010

Craig-Martin, Michael. Art: Curated by Michael Craig-Martin. Berlin: Medialis, Galerie Haas and Fuchs. 

Crash. London: Gagosian Gallery. Text by Dawn Ades, J. G. Ballard, and Will Self.

Curiger, Bice. Täuschend echt: Die Kunst des Trompe-l’oeil. Munich: Albert Hirmer Verlag.

Jodidio, Philip. Tadao Ando Venice: The Pinault Collection at the Palazzo Grassi and the Punta della Dogana. New York: Rizzoli. 

Royal Academy Illustrated 2010. London: Royal Academy of Arts. Edited by Stephen Chambers; text by Richard Cork.

Täuschend echt: Illusion und Wirklichkeit in der Kunst. Hamburg: Das Bucerius Kunst Forum. Edited by Bärbel Hedinger; text by Gottfried Boehm, Angela Breidbach, Hubertus Butin, Philippe Cordez, and Bice Curiger.

Vanité: Mort, que me veux-tu? Paris: Fondation Pierre Bergé–Yves Saint Laurent, Paris. Text by Pierre Bergé, Régis Cotentin, Isabelle Degut, and Alain Tapié.

10,000 Lives: Gwangju Biennale 2010. Gwangju: Gwangju Biennale Foundation. Edited by Judy Ditner and Massimiliano Gioni.

 

2009

Arcadie: Dans les collections du Centre Pompidou. Taipei, Taiwan: Taipei Fine Arts Museum. Edited by Didier Ottinger. 

Godfrey, Tony. Painting Today. London: Phaidon Press.

just what is it . . .. Karsruhe: ZKM | Center for Art and Media. Text by Götz Adriani, Boris Groys, Gregor Jansen, Heinrich Klotz, Peter Sloterdijk, Wolfgang Ullrich, and Peter Weibel.

Mapping the Studio: Artists from the François Pinault Collection. Milan: Electa. Edited by Francesco Bonami and Alison M. Gingeras.

100 Contemporary Artists. Cologne: Taschen. Edited by Hans Werner Holzwarth.

 

2008

Art Now, Volume 3. Cologne: Taschen. Edited by Hans Werner Holzwarth.

Cranford Collection 01. London: Cranford Collection. Text by Andrew Renton. 

ExcerptSelections from the Jeanne Greenberg Rohatyn Collection. Poughkeepsie, USA: Frances Lehman Loeb Art Center, Vassar College.

Exhibition of Musée National de l’Arte Moderne du Centre Pompidou. Korea : GNC Media, Seoul Museum of Art in Korea.

Heiser, Jorg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press. 

 

2007

Button, Virginia. The Turner Prize: Revised Edition. London: Tate.

Cuzin, Jean-Pierre and Salmon, Dimitri. Fragonard Regards/ Croisés. Paris: Mengés. 

Insight?. New York: Gagosian Gallery. 

Old School. London: Hauser and Wirth Colnaghi. Text by Gregor Muir. 

Rockers Island: Olbricht Collection. Essen, Germany: Museum Folkwang; Göttingen, Germany: Steidl.

Der Symbolismus und die Kunst der Gegenwart (The Game of Multiple Meaning: Symbolism and the Art of the Present). Wuppertal, Germany: Von der Heydt-Museum. Texts by Alexandra Bruchmann, Gerhard Finckh, Ann-Katrin Günzel, Hans Hofstätter, Tobias Janz, Franz Nagel, and Ute Riese.

Timer 01: Intimità/Intimacy, L’arte contemporanea dopo l’undici settembre/Contemporary Art After Nine Eleven. Milan:Skira-Berenice. Edited by Gianni Mercurio and Demetrio Paparoni.

 

2006

British Art. London: Thomas Gibson Fine Art.

How to Improve the World: Sixty Years of British Art, Arts Council Collection. London: Hayward Gallery. Texts by Marjorie Althorpe-Guyton, Michael Archer and Roger Malbert.

Infinite Painting: Contemporary Painting and Global Realism. Udine, Italy: Villa Manin, Centro d’Arte Contemporanea.

Jean-Honoré Fragonard, 1732–1806: Orígenes e influencias, de Rembrandt al siglo XXI. Barcelona: Obra Social Fundación “la Caixa”. Text by Katharina Schmidt. 

Lindemann, Adam. Collecting Contemporary Art. Cologne: Taschen.

Mullins, Charlotte. Painting People: The State of the Art. London: Thames and Hudson. 

Passion for Paint. London: National Gallery. Text by Sarah Richardson. 

The Starry Messenger: Visions of the Universe: Warwickshire, England: Compton Verney. 

Zurück zur Figur: Malerei der Gegenwart. Munich: Kunsthalle der Hypo-Kulturstiftung and Prestel. 

 

2005

Art Now, Volume II. Cologne: Taschen. Edited by Uta Grosenick; text by Ossian Ward.

Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Turin: Fondazione Sandretto Re Rebaudengo. Text by Francesco Bonami.

Big Bang: Creation and Destruction in Twentieth Century Art. Paris: Éditions du Centre Georges Pompidou. Edited by Catherine Grenier; text by Agnès de la Baumelle.

Bits and Pieces Put Together to Present a Semblance of a Whole. Minneapolis: Walker Art Center. Edited by Joan Rothfuss and Elizabeth Carpenter. 

Ecstasy: In and About Altered States. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press. Edited by Lisa Mark; text by Paul Schimmel.

Neue Kunsthalle IV: Direct Painting. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich. 

Rückkehr ins All/Return to Space. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich; text by Markus Heinzelmann.

 

2004

Berlin 1994–2003. Berlin: Galerie Max Hetzler. Text by Frédéric Paul.

Ice Hot: Recent Painting from the Scharpff Collection. Hamburg: Hamburger Kunsthalle; Stuttgart: Staatsgalerie Stuttgart. Texts by Marvin Altner and Christoph Heinrich.

 

2003

100: The Work that Changed British Art. London: Jonathan Cape and Saatchi Gallery. Text by Patricia Ellis.

Button, Virginia. The Turner Prize: Twenty Years. London: Tate Gallery.

Une Collection de “Chefs-d’œuvre”.Limoges, France: FRAC Limousin.

Cork, Richard. Breaking Down the Barriers: Art in the 1990s. New Haven, USA: Yale University Press.

Dreams and Conflicts: The Dictatorship of the Viewer. La Biennale di Venezia, Fiftieth International Art Exhibition. Venice: Marsilio. Edited by Francesco Bonami and Maria Luisa Frisa.

M_ARS: Kunst und Krieg. Graz, Austria: Neue Galerie am Landesmuseum Joanneum; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Peter Weibel. 

Pittura/Painting: From Rauschenberg to Murakami, 1964–2003. Venice: Museo Correr.

Vitamin P: New Perspectives in Painting. London: Phaidon. Text by Barry Schwabsky.

 

2002

XXV Bienal de São Paulo: Iconografias metropolitanas. São Paulo, Brazil: Fundação Bienal de São Paulo.

Art Now: 137 Artists at the Rise of the New Millennium. Cologne: Taschen. Edited by Uta Grosenick and Burkhard Riemschneider; text on Glenn Brown by Frank Frangenberg.

“Dear Painter, Paint Me . . . ”: Painting the Figure since Late Picabia. Paris: Éditions du Centre Georges Pompidou; Vienna: Kunsthalle Wien; Frankfurt: Schirn Kunsthalle Frankfurt. Edited by Alison Gingeras; texts on Glenn Brown by Sabine Folie and Gemima Montagu.

Landscape. London: Saatchi Gallery. 

McLean, Daniel, and Karsten Schubert. Dear Images: Art, Copyright, and Culture. London: Riding House, Institute of Contemporary Art.

Melodrama. Vitoria-Gasteiz, Spain: Artium, Centro-Museo Vasco de Arte Contemporaneo; Granada, Spain: Palacio de los Condes de Gabia; Vigo, Spain: Museo de Arte Contemporanea de Vigo. Edited by Doreet LeVitte Harten; text by Juan Miguel Company-Ramón.

Painting as a Foreign Language. São Paulo, Brazil: Cultura Inglesa, Centro Brasileiro Britânico. Text by Suhail Malik. 

(The World May Be) Fantastic: 2002 Biennale of Sydney. Sydney: Museum of Contemporary Art. Text by Richard Grayson.

 

2001

AZERTY: Un abécédaire autour des collections du FRAC Limousin. Paris: Éditions du Centre Georges Pompidou. Text by Alison M. Gingeras.

Frank Auerbach: Painting and Drawings, 1954–2001. London: Royal Academy of Arts. Text by Catherine Lampert.

 

2000

Blue: Borrowed and New. Walsall, England: New Art Gallery Walsall. Edited by John Gage and Mike Tobey.

The British Art Show 5. London: South Bank Centre. Texts by Tony Godfrey, Matthew Higgs, Helen Luckett  and Marcelo Spinelli.

Hypermental: Rampant Reality 1950–2000, from Salvador Dalí to Jeff Koons. Zurich: Kunsthaus Zürich; Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Texts by Sibylle Berg, NormanBryson, Bice Curiger, Paul D. Miller, Griselda Pollock, Gero von Randow, and Peter Weibel.

Little Angels. London: Houldsworth Gallery. Text by Christopher Bucklow. 

The Saatchi Gift to the Arts Council Collection. London: Hayward Gallery. Text by Isabel Johnstone.

Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection. Hydra, Greece: Hydra Workshop.

The Turner Prize 2000. London: Tate Britain. Text by Mary Horlock.

 

1999

Collings, Matthew. This Is Modern Art. London: Weidenfeld and Nicolson.

Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery; Chicago: Museum of Contemporary Art. Texts by Robert Fitzpatrick and Catherine Lampert.

John Moores 21. Liverpool, England: Walker Art Gallery. Text by Richard Cork.

Stallabrass, Julian. High Art Lite. London: Verso.

 

1998

Abstract Painting, Once Removed. Houston, USA: Contemporary Arts Museum. Texts by Dana Friis-Hansen, David Pagel, Raphael Rubinstein, and Peter Schjeldahl. 

Ferry, Luc. Le sens du beau. Paris: Éditions Cercle d’Art.

Secret Victorians: Contemporary Artists and a Nineteenth-Century Vision. London: Hayward Gallery. Texts by Melissa Feldman and Ingrid Schaffner.

 

1997

Collings, Matthew. Blimey! From Bohemia to Britpop. Cambridge, England: 21 Publishing.

Pure Fantasy. Llandudno, Wales: Oriel Mostyn Gallery. Text by Susan Daniel.

Sensation: Young British Artists from the Saatchi Collection. London: Royal Academy of Arts and Thames and Hudson. Texts by Brooks Adams, David Barrett, Lisa Jardine, Martin Maloney, Norman Rosenthal, and Richard Shone. 

Treasure Island/A ilha do tesouro, Lisbon: Fundação Calouste Gulbenkian, Centro de Arte Moderna, José de Azeredo Perdigão. Texts by Jorge Molder and Rui Sanches.

 

1996

About Vision: New British Painting in the 1990s. Oxford: Museum of Modern Art. Text by David Elliott.

Fernbedienung: Does Television Inform the Way Art Is Made? Graz, Austria: Grazer Kunstverein. Texts by Klemens Gruber, Lynne Joyrich, Theo Ligthart, Jeff Rian, Johann Skocek, Eva Maria Stadler, and Thomas Trummer.

Lucie-Smith, Edward. Visual Arts in the Twentieth Century. London: Lawrence King. 

 

1995

“Brilliant!” New Art from London. Minneapolis, USA: Walker Art Center. Texts by Richard Flood, Douglas Fogal, Stuart Morgan, and Neville Wakefield; interviews by Douglas Fogal and Marcelo Spinelli.

From Here. London: Waddington Galleries and Karsten Schubert. Text by Andrew Wilson.

Shark Infested Waters: The Saatchi Collection of British Art in the 90s. London: Zwemmer. Text by Sarah Kent.

Young British Artists V. London: Saatchi Gallery. Text by Sarah Kent.

 

1993

Barclays Young Artist Award. London: Serpentine Gallery. Text by Sarah Kent. 

Mandy Loves Declan 100%. New York: Mark Boote Gallery. Text by Stuart Morgan.

 

1990

British Telecom New Contemporaries 1990. Bristol, England: New Contemporaries. Texts by Marianne Brouwer, Franz Kaiser, and Alistair McLennan. 

 

1989

British Telecom New Contemporaries 1989. London: New Contemporaries. Text by Sacha Craddock.

Christie’s New Contemporaries. London: Royal College of Art.