Did I Make You Come?, 1992
Mixed media on lasercopy
6.2 x 26 cm
This work was featured as a Glenn Brown work in the Goldsmiths catalogue for the Goldsmiths MA degree show 1992. On the page it is featured there is a small write up by Philip Morden King:
"Turning upside down the change (experienced and observed) from one state to another can reaveal an improbably matter of factness. As a break penetrating something worse (better) than a slideshow there is an interuption in th etourguide's story. The intimacy of prolonged moments can be linked to the technology of steady motion within this break; a trap that can be a happy fall, a convincing spontaneity in/on an opaque fantastic. Here the redundancy of the gaze as an imperceptively embodied state (to look around) is intangible."
This work is now lost.