Glenn Brown (survey): Fondazione Sandretto Re Rebaudengo, Turin, Italy
Glenn Brown is one of the most revered painters of his generation, this exhibition brings together the largest selection of the artist’s work to date.
The exhibition, curated by Francesco Bonami and Laurence Sillars and organized in collaboration with TATE Liverpool, includes over sixty paintings, sculpture and several new works and it is arranged to reveal the artist’s diverse painterly strategies and preoccupations. Rooms will be dedicated to the artist’s obsessive and meticulous copying of brushwork with works including You never touch my skin in the way you did, and you’ve even changed the way you kiss me(1994) and Telstar (1995). His relentless appropriation of Auerbach, returning to the same work again and again in order to transform the head of a figure is realised in works such as Kill the Poor (2000) andThe Real Thing (2000). Further rooms will reflect Brown’s playful use of kitsch and the sublime, through which the artist radically displaces familiar works by Dalí, Fragonard and John Martin. Brown’s perceptive processes will also be explored. Often placing formal and aesthetic concerns over original subject matter and meaning, details from well known-works are isolated, manipulated, becoming subject matters in themselves.
Glenn Brown was born in Hexham in 1966. From 1984 to 1992 he studied at Norwich School of Art, the Bath College of Higher Education and then trained at Goldsmith’s College. He was shortlisted for the Turner Prize in 2000.
Tate Gallery, Liverpool: 20 February - 10 May 2009
Fondazione Sandretto Re Rebaudengo, Turin, Italy: May 28 - Oct 4, 2009
Artworks
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Glenn BrownThe Hinterland, 2006Oil on panel148 x 122.5cm
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Glenn BrownInternational Velvet, 2004Oil on panel157 x 122 cm
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Glenn BrownSeventeen Seconds, 2005Oil on panel148 x 122cm
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Glenn BrownThe Revolutionary Corps Of Teenage Jesus, 2005Oil on panel145 x 97cm
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Glenn BrownPetrushka, 2000–2002Oil paint on acrylic and plaster, vitrineSculpture 125 x 60 x 60 cm, vitrine 114 x 74 x 74cm
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Glenn BrownNausea, 2008Oil on panel155 x 120cm
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Glenn BrownThe Alabama Song, 2007Oil on panel147 x 120cm
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Glenn BrownThe Asylums of Mars, 2006Oil on panel156 x 122.5cm
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Glenn BrownSearched Hard for You and Your Special Ways, 1995Oil on canvas mounted on board89 x 75 cm
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Glenn BrownAriane 5, 1997Oil on canvas mounted on board91 x 72 cm
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Glenn BrownTart Wit, Wise Humor, 2007Oil on panel144 x 108.5cm (oval)
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Glenn BrownThe Andromeda Strain Oil paint on acrylic over plaster, vitrine (13.8 x 12.6 x 11.8 in), 2000Oil paint on acrylic and plaster, vitrineSculpture 35 x 32 x 30 cm, , vitrine 146 x 41 x 41cm
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Glenn BrownOn Hearing of the Death of My Mother, 2002Oil on panel119 x 88cm
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Glenn BrownDebaser, 2008Oil on panel100 x 75 cm
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Glenn BrownDeep Throat, 2007Oil on panel152 x 122cm
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Glenn BrownKill Yourself, 2002Oil on panel82 x 68.5cm
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Glenn BrownSuffer Well, 2007Oil on panel157 x 120cm
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Glenn BrownShallow Deaths, 2000Oil on panel70 x 57.5cm
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Glenn BrownAmerica, 2004Oil on panel140 x 93.5cm
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Glenn BrownWar in Peace, 2009Oil on panel116 x 87 cm
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Glenn BrownThe Tragic Conversion of Salvador Dalí (after John Martin), 1998Oil on canvas222 x 323 cm
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Glenn BrownBöcklin’s Tomb (copied from ‘Floating Cities’ 1981 by Chris Foss), 1998Oil on canvas221 x 330 cm
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Glenn BrownThe Aesthetic Poor (for Tim Buckley) after John Martin, 2002Oil on canvas220.5 x 333 cm
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Glenn BrownSex, 2003Oil on panel126 x 85cm
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Glenn BrownWooden Heart, 2008Oil paint on acrylic over plaster and metal armatureSculpture 148 x 70 x 89 cm, Vitrine 176 x 88 x 200 cm
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Glenn BrownHunky Dory, 2005Oil on panel157 x 110 cm
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Glenn BrownTheatre, 2006Oil on panel122 x 93cm
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Glenn BrownThe Loves of Shepherds (after ‘Doublestar’ by Tony Roberts), 2000Oil on canvas219.5 x 336 cm
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Glenn BrownThe Riches of the Poor, 2003Oil on panel134 x 82cm
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Glenn BrownDalí-Christ (after ‘Soft Construction with Boiled Beans: Premonition of Civil War’ 1936 by Salvador Dalí), 1992 By kind permission of the Gala-Salvador Dalí Foundation, SpainOil on canvas274 x 183 cm
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Glenn BrownOscillate Wildly (after ‘Autumnal Cannibalism’, 1936 by Salvador Dalí), 1999 By kind permission of the Gala-Salvador Dalí Foundation, SpainOil on linen175.5 x 391.5 cm
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Glenn BrownThe Sound of Music, 1997Oil paint on acrylic and plaster, vitrinesculpture: 73.7 x 40.6 x 44.5 cm (29 ¼ x 16 x 17 ½ in) Overall: 157.5 x 86.4 x 53.4 cm (62 x 34 x 21 in)
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Glenn BrownThe Osmond Family, 2003Oil on panel142.5 x 100.5cm
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Glenn BrownMisogyny, 2006Oil on panel159 x 122.5cm
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Glenn BrownJesus; The Living Dead (after ‘Jupiter Cloudscape’ 1982 by Adolf Schaller), 1998Oil on canvas205.7 x 326.4 cm
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Glenn BrownModern Movement, 2003Oil on panel120 x 86cm
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Glenn BrownThe Day The World Turned Auerbach, 1991Oil on canvas56 x 50 cm
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Glenn BrownLove Never Dies, 1993 This painting is a citation of the painting by Karel Appel, titled ‘People, Birds and Sun’ 1954, collection Tate Gallery, LondonOil on canvas70 x 49 cm
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Glenn BrownTelstar, 1995Oil on canvas mounted on board70 x 58 cm
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Glenn BrownYou never touch my skin in the way you did and you’ve even changed the way you kiss me, 1994Oil on canvas152.4 x 122.6 cm
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Glenn BrownThe Sound of Music, 1995 – 2007Table and oil paint76 x 90 x 80 cm (29.9 x 35.4 x 31.4 in)
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Glenn BrownThe Rebel, 2001Oil on panel84.5 x 70cm
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Glenn BrownNever Forever, 1995Oil paint on acrylic and plaster36 x 29 x 26 cm
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Glenn BrownLet me take you by the hand and lead you through the streets of London, I’ll show you something to make you change your mind, 1992Oil on canvas82 x 92 cm
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Glenn BrownLittle Death, 2000Oil on panel68 x 54 cm
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Glenn BrownKinder Transport, 1999Oil on panel67 x 57.5 cm
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Glenn BrownThe Marquess of Breadalbane, 2000Oil on panel96 x 78.5 cm (oval)
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Glenn BrownThe Real Thing, 2000Oil on panel82 x 66.5 cm