Bibliography

 2020

00s. Cranford Collection: the 2000s. Montpellier (France): MO.CO. Montpellier Contemporain. Text by Aurelien Bellanger, Vincent Pecoil, Muriel Salem and Freddy Salem. (forthcoming)

Pettersson, Susanna (ed.). Iconic Works. Stockholm and Helsinki: Nationalmuseum and Atheneum Art Museum. Text by Emma Barker, Eva-Lena Bergström, Michaela Giebelhausen, Linda Hinners, Dan Karlholm, Martin Olin, Susanna Pettersson, James Putnam, with artist interviews written by Sointu Fritze and Marja Sakari.

 

2019

Freedberg, David and Monkhouse, Wendy. Visions of Self: Rembrandt and Now. NewYork: Gagosian / Rizzoli.

Fritz, Nicole (ed.). Comeback. Art-Historical Renaissances. Tubingen (Germany): Kunsthalle Tubingen. Text by Nicole Fritz, Zita Hartel, Johannes Meinhardt and Klaus Speidel.

Quaife, Magnus and Wright, Mark (eds.). Teaching Painting: Painting the New. Cambridge (UK): Cambridge Scholars Publishing. (forthcoming).

Soriano, Kathleen. Sara Shamma: Modern Slavery. London: King's College.

Werrett, Simon. Thrifty Science: Making the Most of Materials in the History of Experiment. Chicago; London: The University of Chicago Press.

 

2018

Albert Oehlen/Julian Schnabel. Berlin: Galerie Max Hetzler/Holzwarth Publications. Text by Glenn Brown, Christian Malycha. 

Bell, Julian. What is Painting? London: Thames and Hudson. 

Feher, David. Bacon, Freud and the London School. Budapest: Hungarian National Gallery.

Gnyp, Marta. You, Me and Art: Artists in the 21st Century. Italy: Skira. 

Rembrandt: Britain's Discovery of the Master. Edinburgh: Scottish National Gallery. Text by Christian Tico Seifert, Peter Black, Stephanie S. Dickey, Patrick Elliott, Donato Esposito, M.J. Ripps, Jonathan Yarker.

Rembrandt and Britain. Edinburgh: Scottish National Gallery. Text by Christian Tico Seifert. 

 

 

2017

Abramson, Seth. Golden Age. Buffalo, New York: BlazeVOX. (cover art) 

I Lost My Heart to a Starship Trooper. London: Solopress / Griffin Gallery. Text by Catherine Loewe.

True Faith. Manchester: Manchester Art Gallery. Text by Michael Bracewell, Matthew Higgs, Johan Kugelberg, Jon Savage.

 

2016

A to Z of Contemporary Art. London: Frieze/Phaidon.

Buchli, Victor. An Archeology of the Immaterial. London: Routledge. 

Fullerton, Elizabeth. Artrage!: The Inside Story of the BritArt Revolution. London: Thames & Hudson.

Jerwood Drawing Prize 2016. London: Jerwood Charitable Foundation.

Nude: From Modigliani to Currin. New York: Gagosian Gallery.

Rennaissances: Un hommage contemporain a Florence. Paris: Leinart.

Talking Art 2: Interviews with artists since 2006. London: Riding House.

Woodley, Frances. Models and Materialities: Confabulation and the Contemporary Still Life. Llandysul: Gomer Press.

 

2015

Art Fiction – De la ville aux étoiles, Paris: RMN.

Body of Art. London: Phaidon.

Centre Pompidou Provisoire, Centre Pompidou Malaga. Madrid: TF Editores.

Grovier, Kelly. Art Since 1989. London: Thames and Hudson.

One Day, Something Happens: Paintings of People: A Selection by Jennifer Higgie from the Arts Council Collection. London: Hayward Publishing. Foreword by Jill Constantine, text by Jennifer Higgie, Lynette Yiadom-Boakye, Glenn Brown, Milena Dragicevic, David Noonan, Paula Rego, Rose Wylie.

 

2014

Artists Talk. Nuremberg: Verlag für moderne Kunst Nürnberg. Edited by Gerald A. Matt; forword by Michael Kimmelman. 

Deblonde, Gaultier. Atelier. Gottingen: Steidl. Forward by Jim Lewis.

Face to Face: British Prints from the Clifford Chance Art Collection. London: Sir John Soane’s Museum. 

Lumières: carte blanche à Christian Lacroix. Paris: Paris Musées. Text by Christian Lacroix, Anne Hidalgo.

Post Pop: East Meets West. London: CentreInvest UK Limited. Text by Marco Livingstone, Chang Tsong-Zung, Andrey Erofeev.

Quattrone, Raffaele. IN ITINERE: arte contemporanea in trasformazione. San Cesareo (RM): EQUIPèCO.

REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Berlin: Galerie Max Hetzler. Edited by Jean-Marie Gallais.

Sammlung Im Wandel: Die Sammlung Rudolf und Ute Scharpff. Berlin: Holzwarth Publications. Texts by Stephan Berg, Michael Bracewell, Lutz Eitel, Ulrike Groos, Hans Dieter Huber, Peter Pakesch. 

SHE: Picturing women at the turn of the 21st century.Rhode Island: Brown University Press. 

Somos Libres II: Works from the Mario Testino Collection. Verona: Rizzoli for Pinacoteca Agnelli.

Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press.

The 21^st Century Art Book, London: Phaidon.

Visages: Picasso, Magritte, Warhol..., Paris: Réunion des musée nationaux — Grand Palais. Texts by Alexis Chiari, Sylvie Courtine-Denamy, Christine Poullain, and Guillaume Theuliére.

 

2013

Art Now, Volume 4. Cologne: Taschen. Edited by Hans Werner Holzwarth.

Grovier, Kelly. 100 Works of Art That will Define Our Age, London: Thames & Hudson Ltd. 

Riotous Baroque: From Cattelan to Zurburan: Tributes to Precarious Vitality, Bilbao: Museo Guggenheim Bilbao. Edited by Bice Curiger.

 

2012

Beyond Reality: British Painting Today, Prague: Galerie Rudolfinum. Text by Petr Nedoma and Milena Slavicka.

Contemporary Art in the United Kingdom, London: Black Dog Publishing. Edited by Phoebe Adler; text by John Slyce.

Helvete/Hell, Stockholm: Liljevalchs. Text by Mårten Castenfors, Douglas Feuk, Barbro Stribolt.

L’Image peinte. Enjeux et perspectives de la peinture figurative des années 90 à nos jours. Chatou, France: Les Éditions de la Transparence. Edited by Jean-François Desserre.

The Mechanical Hand: Artists’ Projects at Pauper Press, London: Black Dog Publishing. Text by Michael Taylor in conversation with Glenn Brown. 

Mettais, Valerie. Portraits, France: Palette. 

Simulating the Marvellous, Manchester: Manchester University Press. Text by David Lomas and Jeremy Stubbs.

 

2011

Defining Contemporary Art – 25 Years in 200 pivotal artworks. London: Phaidon. Text by Suzanne Cotter, Bice Curiger, Connie Butler, Bob Nicklas, Daniel Birnbaum, Massimiliano Gioni, Okwui Enwezor and Hans Ulrich Obrist.

Grenier, Catherine. Dali, l'invention de soi. Paris: Flammarion. 

Grisaille. New York: Luxembourg and Dayan. Text by Alison Gingeras.

John Martin: Apocalypse. London: Tate. Text by David Bindman, Michael Campbell, Lars Kokkonen, Julie Milne, and Martin Myrone.

Le Surréalisme, c’est moi!: Homage to Dalí. Vienna: Kunstalle. Text by Wolfgang Fetz, Belinda Grace Gardner, Synne Genzmer, David Lomas, Gerald A. Matt, and Catherine Millet.

Mémoires du futur: la collection Olbricht. Paris: La Maison Rouge-Fondation Antoine de Galbert, Paris. Text by Annabelle Gugnon, Rainer Metzger, Damien Sausset, and Virginie Spenlé.

Mettais, Valerie. Portraits. France: Groupe Qualibris/Palette.

The Mystery of Appearance: Conversations Between Ten British Post-War Painters. London: Haunch of Venison. Text by Catherine Lampert and Tom Hunt.

Painting: Documents of Contemporary Art. London: Whitechapel Gallery and Cambridge (USA): The MIT Press. Edited by Terry R. Myers.

The Space Between: Collected Writings. London: Ridinghouse. Edited by Doro Globus, text by Michael Bracewell.

 

2010

Craig-Martin, Michael. Art: Curated by Michael Craig-Martin. Berlin: Medialis, Galerie Haas and Fuchs. 

Crash. London: Gagosian Gallery. Text by Dawn Ades, J. G. Ballard, and Will Self.

Curiger, Bice. Täuschend echt: Die Kunst des Trompe-l’oeil. Munich: Albert Hirmer Verlag.

Jodidio, Philip. Tadao Ando Venice: The Pinault Collection at the Palazzo Grassi and the Punta della Dogana. New York: Rizzoli. 

Royal Academy Illustrated 2010. London: Royal Academy of Arts. Edited by Stephen Chambers; text by Richard Cork.

Täuschend echt: Illusion und Wirklichkeit in der Kunst. Hamburg: Das Bucerius Kunst Forum. Edited by Bärbel Hedinger; text by Gottfried Boehm, Angela Breidbach, Hubertus Butin, Philippe Cordez, and Bice Curiger.

Vanité: Mort, que me veux-tu? Paris: Fondation Pierre Bergé–Yves Saint Laurent, Paris. Text by Pierre Bergé, Régis Cotentin, Isabelle Degut, and Alain Tapié.

10,000 Lives: Gwangju Biennale 2010. Gwangju: Gwangju Biennale Foundation. Edited by Judy Ditner and Massimiliano Gioni.

 

2009

Arcadie: Dans les collections du Centre Pompidou. Taipei, Taiwan: Taipei Fine Arts Museum. Edited by Didier Ottinger. 

Godfrey, Tony. Painting Today. London: Phaidon Press.

just what is it . . .. Karsruhe: ZKM | Center for Art and Media. Text by Götz Adriani, Boris Groys, Gregor Jansen, Heinrich Klotz, Peter Sloterdijk, Wolfgang Ullrich, and Peter Weibel.

Mapping the Studio: Artists from the François Pinault Collection. Milan: Electa. Edited by Francesco Bonami and Alison M. Gingeras.

100 Contemporary Artists. Cologne: Taschen. Edited by Hans Werner Holzwarth.

 

2008

Art Now, Volume 3. Cologne: Taschen. Edited by Hans Werner Holzwarth.

Cranford Collection 01. London: Cranford Collection. Text by Andrew Renton. 

Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection. Poughkeepsie, USA: Frances Lehman Loeb Art Center, Vassar College.

Exhibition of Musée National de l’Arte Moderne du Centre Pompidou. Korea : GNC Media, Seoul Museum of Art in Korea.

Heiser, Jorg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press. 

 

2007

Button, Virginia. The Turner Prize: Revised Edition. London: Tate.

Cuzin, Jean-Pierre and Salmon, Dimitri. Fragonard Regards/ Croisés. Paris: Mengés. 

Insight?. New York: Gagosian Gallery. 

Old School. London: Hauser and Wirth Colnaghi. Text by Gregor Muir. 

Rockers Island: Olbricht Collection. Essen, Germany: Museum Folkwang; Göttingen, Germany: Steidl.

Der Symbolismus und die Kunst der Gegenwart (The Game of Multiple Meaning: Symbolism and the Art of the Present). Wuppertal, Germany: Von der Heydt-Museum. Texts by Alexandra Bruchmann, Gerhard Finckh, Ann-Katrin Günzel, Hans Hofstätter, Tobias Janz, Franz Nagel, and Ute Riese.

Timer 01: Intimità/Intimacy, L’arte contemporanea dopo l’undici settembre/Contemporary Art After Nine Eleven. Milan:Skira-Berenice. Edited by Gianni Mercurio and Demetrio Paparoni.

 

2006

British Art. London: Thomas Gibson Fine Art.

How to Improve the World: Sixty Years of British Art, Arts Council Collection. London: Hayward Gallery. Texts by Marjorie Althorpe-Guyton, Michael Archer and Roger Malbert.

Infinite Painting: Contemporary Painting and Global Realism. Udine, Italy: Villa Manin, Centro d’Arte Contemporanea.

Jean-Honoré Fragonard, 1732–1806: Orígenes e influencias, de Rembrandt al siglo XXI. Barcelona: Obra Social Fundación “la Caixa”. Text by Katharina Schmidt. 

Lindemann, Adam. Collecting Contemporary Art. Cologne: Taschen.

Mullins, Charlotte. Painting People: The State of the Art. London: Thames and Hudson. 

Passion for Paint. London: National Gallery. Text by Sarah Richardson. 

The Starry Messenger: Visions of the Universe: Warwickshire, England: Compton Verney. 

Zurück zur Figur: Malerei der Gegenwart. Munich: Kunsthalle der Hypo-Kulturstiftung and Prestel. 

 

2005

Art Now, Volume II. Cologne: Taschen. Edited by Uta Grosenick; text by Ossian Ward.

Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Turin: Fondazione Sandretto Re Rebaudengo. Text by Francesco Bonami.

Big Bang: Creation and Destruction in Twentieth Century Art. Paris: Éditions du Centre Georges Pompidou. Edited by Catherine Grenier; text by Agnès de la Baumelle.

Bits and Pieces Put Together to Present a Semblance of a Whole. Minneapolis: Walker Art Center. Edited by Joan Rothfuss and Elizabeth Carpenter. 

Ecstasy: In and About Altered States. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press. Edited by Lisa Mark; text by Paul Schimmel.

Neue Kunsthalle IV: Direct Painting. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich. 

Rückkehr ins All/Return to Space. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich; text by Markus Heinzelmann.

 

2004

Berlin 1994–2003. Berlin: Galerie Max Hetzler. Text by Frédéric Paul.

Ice Hot: Recent Painting from the Scharpff Collection. Hamburg: Hamburger Kunsthalle; Stuttgart: Staatsgalerie Stuttgart. Texts by Marvin Altner and Christoph Heinrich.

 

2003

100: The Work that Changed British Art. London: Jonathan Cape and Saatchi Gallery. Text by Patricia Ellis.

Button, Virginia. The Turner Prize: Twenty Years. London: Tate Gallery.

Une Collection de “Chefs-d’œuvre”.Limoges, France: FRAC Limousin.

Cork, Richard. Breaking Down the Barriers: Art in the 1990s. New Haven, USA: Yale University Press.

Dreams and Conflicts: The Dictatorship of the Viewer. La Biennale di Venezia, Fiftieth International Art Exhibition. Venice: Marsilio. Edited by Francesco Bonami and Maria Luisa Frisa.

M_ARS: Kunst und Krieg. Graz, Austria: Neue Galerie am Landesmuseum Joanneum; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Peter Weibel. 

Pittura/Painting: From Rauschenberg to Murakami, 1964–2003. Venice: Museo Correr.

Vitamin P: New Perspectives in Painting. London: Phaidon. Text by Barry Schwabsky.

 

2002

XXV Bienal de São Paulo: Iconografias metropolitanas. São Paulo, Brazil: Fundação Bienal de São Paulo.

Art Now: 137 Artists at the Rise of the New Millennium. Cologne: Taschen. Edited by Uta Grosenick and Burkhard Riemschneider; text on Glenn Brown by Frank Frangenberg.

“Dear Painter, Paint Me . . . ”: Painting the Figure since Late Picabia. Paris: Éditions du Centre Georges Pompidou; Vienna: Kunsthalle Wien; Frankfurt: Schirn Kunsthalle Frankfurt. Edited by Alison Gingeras; texts on Glenn Brown by Sabine Folie and Gemima Montagu.

Landscape. London: Saatchi Gallery. 

McLean, Daniel, and Karsten Schubert. Dear Images: Art, Copyright, and Culture. London: Riding House, Institute of Contemporary Art.

Melodrama. Vitoria-Gasteiz, Spain: Artium, Centro-Museo Vasco de Arte Contemporaneo; Granada, Spain: Palacio de los Condes de Gabia; Vigo, Spain: Museo de Arte Contemporanea de Vigo. Edited by Doreet LeVitte Harten; text by Juan Miguel Company-Ramón.

Painting as a Foreign Language. São Paulo, Brazil: Cultura Inglesa, Centro Brasileiro Britânico. Text by Suhail Malik. 

(The World May Be) Fantastic: 2002 Biennale of Sydney. Sydney: Museum of Contemporary Art. Text by Richard Grayson.

 

2001

AZERTY: Un abécédaire autour des collections du FRAC Limousin. Paris: Éditions du Centre Georges Pompidou. Text by Alison M. Gingeras.

Frank Auerbach: Painting and Drawings, 1954–2001. London: Royal Academy of Arts. Text by Catherine Lampert.

 

2000

Blue: Borrowed and New. Walsall, England: New Art Gallery Walsall. Edited by John Gage and Mike Tobey.

The British Art Show 5. London: South Bank Centre. Texts by Tony Godfrey, Matthew Higgs, Helen Luckett  and Marcelo Spinelli.

Hypermental: Rampant Reality 1950–2000, from Salvador Dalí to Jeff Koons. Zurich: Kunsthaus Zürich; Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Texts by Sibylle Berg, NormanBryson, Bice Curiger, Paul D. Miller, Griselda Pollock, Gero von Randow, and Peter Weibel.

Little Angels. London: Houldsworth Gallery. Text by Christopher Bucklow. 

The Saatchi Gift to the Arts Council Collection. London: Hayward Gallery. Text by Isabel Johnstone.

Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection. Hydra, Greece: Hydra Workshop.

The Turner Prize 2000. London: Tate Britain. Text by Mary Horlock.

 

1999

Collings, Matthew. This Is Modern Art. London: Weidenfeld and Nicolson.

Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery; Chicago: Museum of Contemporary Art. Texts by Robert Fitzpatrick and Catherine Lampert.

John Moores 21. Liverpool, England: Walker Art Gallery. Text by Richard Cork.

Stallabrass, Julian. High Art Lite. London: Verso.

 

1998

Abstract Painting, Once Removed. Houston, USA: Contemporary Arts Museum. Texts by Dana Friis-Hansen, David Pagel, Raphael Rubinstein, and Peter Schjeldahl. 

Ferry, Luc. Le sens du beau. Paris: Éditions Cercle d’Art.

Secret Victorians: Contemporary Artists and a Nineteenth-Century Vision. London: Hayward Gallery. Texts by Melissa Feldman and Ingrid Schaffner.

 

1997

Collings, Matthew. Blimey! From Bohemia to Britpop. Cambridge, England: 21 Publishing.

Pure Fantasy. Llandudno, Wales: Oriel Mostyn Gallery. Text by Susan Daniel.

Sensation: Young British Artists from the Saatchi Collection. London: Royal Academy of Arts and Thames and Hudson. Texts by Brooks Adams, David Barrett, Lisa Jardine, Martin Maloney, Norman Rosenthal, and Richard Shone. 

Treasure Island/A ilha do tesouro, Lisbon: Fundação Calouste Gulbenkian, Centro de Arte Moderna, José de Azeredo Perdigão. Texts by Jorge Molder and Rui Sanches.

 

1996

About Vision: New British Painting in the 1990s. Oxford: Museum of Modern Art. Text by David Elliott.

Fernbedienung: Does Television Inform the Way Art Is Made? Graz, Austria: Grazer Kunstverein. Texts by Klemens Gruber, Lynne Joyrich, Theo Ligthart, Jeff Rian, Johann Skocek, Eva Maria Stadler, and Thomas Trummer.

Lucie-Smith, Edward. Visual Arts in the Twentieth Century. London: Lawrence King. 

 

1995

“Brilliant!” New Art from London. Minneapolis, USA: Walker Art Center. Texts by Richard Flood, Douglas Fogal, Stuart Morgan, and Neville Wakefield; interviews by Douglas Fogal and Marcelo Spinelli.

From Here. London: Waddington Galleries and Karsten Schubert. Text by Andrew Wilson.

Shark Infested Waters: The Saatchi Collection of British Art in the 90s. London: Zwemmer. Text by Sarah Kent.

Young British Artists V. London: Saatchi Gallery. Text by Sarah Kent.

 

1993

Barclays Young Artist Award. London: Serpentine Gallery. Text by Sarah Kent. 

Mandy Loves Declan 100%. New York: Mark Boote Gallery. Text by Stuart Morgan.

 

1990

British Telecom New Contemporaries 1990. Bristol, England: New Contemporaries. Texts by Marianne Brouwer, Franz Kaiser, and Alistair McLennan. 

 

1989

British Telecom New Contemporaries 1989. London: New Contemporaries. Text by Sacha Craddock.

Christie’s New Contemporaries. London: Royal College of Art.