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Artists Talk
Michael Kimmelman, 20143.2 x 16.5 x 23.5 cm, Hardcover, 460 pp pages -
Fragonard Regards Croisés (French)
Jean Pierre Cuzin, Dimitri Salmon, 200715 x 21 x 2.2 cm, Hardcover, 240 pp pages
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Parkett: Kai Althoff, Glenn Brown, Dana Schutz
Jennifer Higgie, Jorg Heiser, 200620.9 x 2 x 25.5 cm, Softcover, 207 pp pages -
Hypermental: Rampant Reality, 1950-2000: From Salvador Dali to Jeff Koons
Zürich Kunsthaus and Hamburger KunsthalleSibylle Berg, Bice Curiger, Paul D. Miller, 200033,3 x 26,9 x 1,3 cm, Paperback, 194 pp pages
Group Catalogues & Books
2020
00s. Cranford Collection: the 2000s. Montpellier (France): MO.CO. Montpellier Contemporain. Text by Aurelien Bellanger, Vincent Pecoil, Muriel Salem and Freddy Salem.
Pettersson, Susanna (ed.). Iconic Works. Stockholm and Helsinki: Nationalmuseum and Atheneum Art Museum. Text by Emma Barker, Eva-Lena Bergström, Michaela Giebelhausen, Linda Hinners, Dan Karlholm, Martin Olin, Susanna Pettersson, James Putnam, with artist interviews written by Sointu Fritze and Marja Sakari.
2019
Freedberg, David and Monkhouse, Wendy. Visions of Self: Rembrandt and Now. NewYork: Gagosian / Rizzoli.
Fritz, Nicole (ed.). Comeback. Art-Historical Renaissances. Tubingen (Germany): Kunsthalle Tubingen. Text by Nicole Fritz, Zita Hartel, Johannes Meinhardt and Klaus Speidel.
Quaife, Magnus and Wright, Mark (eds.). Teaching Painting: Painting the New. Cambridge (UK): Cambridge Scholars Publishing. (forthcoming).
Soriano, Kathleen. Sara Shamma: Modern Slavery. London: King's College.
Werrett, Simon. Thrifty Science: Making the Most of Materials in the History of Experiment. Chicago; London: The University of Chicago Press.
2018
Albert Oehlen/Julian Schnabel. Berlin: Galerie Max Hetzler/Holzwarth Publications. Text by Glenn Brown, Christian Malycha.
Bell, Julian. What is Painting? London: Thames and Hudson.
Feher, David. Bacon, Freud and the London School. Budapest: Hungarian National Gallery.
Gnyp, Marta. You, Me and Art: Artists in the 21st Century. Italy: Skira.
Rembrandt and Britain. Edinburgh: Scottish National Gallery. Text by Christian Tico Seifert.
2017
Abramson, Seth. Golden Age. Buffalo, New York: BlazeVOX. (cover art)
I Lost My Heart to a Starship Trooper. London: Solopress / Griffin Gallery. Text by Catherine Loewe.
2016
A to Z of Contemporary Art. London: Frieze/Phaidon.
Buchli, Victor. An Archeology of the Immaterial. London: Routledge.
Fullerton, Elizabeth. Artrage!: The Inside Story of the BritArt Revolution. London: Thames & Hudson.
Jerwood Drawing Prize 2016. London: Jerwood Charitable Foundation.
Nude: From Modigliani to Currin. New York: Gagosian Gallery.
Rennaissances: Un hommage contemporain a Florence. Paris: Leinart.
Talking Art 2: Interviews with artists since 2006. London: Riding House.
2015
Art Fiction – De la ville aux étoiles, Paris: RMN.
Centre Pompidou Provisoire, Centre Pompidou Malaga. Madrid: TF Editores.
Grovier, Kelly. Art Since 1989. London: Thames and Hudson.
One Day, Something Happens: Paintings of People: A Selection by Jennifer Higgie from the Arts Council Collection. London: Hayward Publishing. Foreword by Jill Constantine, text by Jennifer Higgie, Lynette Yiadom-Boakye, Glenn Brown, Milena Dragicevic, David Noonan, Paula Rego, Rose Wylie.
2014
Deblonde, Gaultier. Atelier. Gottingen: Steidl. Forward by Jim Lewis.
Lumières: carte blanche à Christian Lacroix. Paris: Paris Musées. Text by Christian Lacroix, Anne Hidalgo.
Post Pop: East Meets West. London: CentreInvest UK Limited. Text by Marco Livingstone, Chang Tsong-Zung, Andrey Erofeev.
Quattrone, Raffaele. IN ITINERE: arte contemporanea in trasformazione. San Cesareo (RM): EQUIPèCO.
Sammlung Im Wandel: Die Sammlung Rudolf und Ute Scharpff. Berlin: Holzwarth Publications. Texts by Stephan Berg, Michael Bracewell, Lutz Eitel, Ulrike Groos, Hans Dieter Huber, Peter Pakesch.
SHE: Picturing women at the turn of the 21st century.Rhode Island: Brown University Press.
Somos Libres II: Works from the Mario Testino Collection. Verona: Rizzoli for Pinacoteca Agnelli.
Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press.
The 21st Century Art Book, London: Phaidon.
2013
Art Now, Volume 4. Cologne: Taschen. Edited by Hans Werner Holzwarth.
Grovier, Kelly. 100 Works of Art That will Define Our Age, London: Thames & Hudson Ltd.
2012
Helvete/Hell, Stockholm: Liljevalchs. Text by Mårten Castenfors, Douglas Feuk, Barbro Stribolt.
L’Image peinte. Enjeux et perspectives de la peinture figurative des années 90 à nos jours. Chatou, France: Les Éditions de la Transparence. Edited by Jean-François Desserre.
The Mechanical Hand: Artists’ Projects at Pauper Press, London: Black Dog Publishing. Text by Michael Taylor in conversation with Glenn Brown.
Mettais, Valerie. Portraits, France: Palette.
Simulating the Marvellous, Manchester: Manchester University Press. Text by David Lomas and Jeremy Stubbs.
2011
Defining Contemporary Art – 25 Years in 200 pivotal artworks. London: Phaidon. Text by Suzanne Cotter, Bice Curiger, Connie Butler, Bob Nicklas, Daniel Birnbaum, Massimiliano Gioni, Okwui Enwezor and Hans Ulrich Obrist.
Grenier, Catherine. Dali, l'invention de soi. Paris: Flammarion.
Grisaille. New York: Luxembourg and Dayan. Text by Alison Gingeras.
Mémoires du futur: la collection Olbricht. Paris: La Maison Rouge-Fondation Antoine de Galbert, Paris. Text by Annabelle Gugnon, Rainer Metzger, Damien Sausset, and Virginie Spenlé.
Mettais, Valerie. Portraits. France: Groupe Qualibris/Palette.
2010
Crash. London: Gagosian Gallery. Text by Dawn Ades, J. G. Ballard, and Will Self.
Curiger, Bice. Täuschend echt: Die Kunst des Trompe-l’oeil. Munich: Albert Hirmer Verlag.
Täuschend echt: Illusion und Wirklichkeit in der Kunst. Hamburg: Das Bucerius Kunst Forum. Edited by Bärbel Hedinger; text by Gottfried Boehm, Angela Breidbach, Hubertus Butin, Philippe Cordez, and Bice Curiger.
2009
Godfrey, Tony. Painting Today. London: Phaidon Press.
just what is it . . .. Karsruhe: ZKM | Center for Art and Media. Text by Götz Adriani, Boris Groys, Gregor Jansen, Heinrich Klotz, Peter Sloterdijk, Wolfgang Ullrich, and Peter Weibel.
100 Contemporary Artists. Cologne: Taschen. Edited by Hans Werner Holzwarth.
2008
Art Now, Volume 3. Cologne: Taschen. Edited by Hans Werner Holzwarth.
Cranford Collection 01. London: Cranford Collection. Text by Andrew Renton.
Exhibition of Musée National de l’Arte Moderne du Centre Pompidou. Korea : GNC Media, Seoul Museum of Art in Korea.
Heiser, Jorg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press.
2007
Button, Virginia. The Turner Prize: Revised Edition. London: Tate.
Cuzin, Jean-Pierre and Salmon, Dimitri. Fragonard Regards/ Croisés. Paris: Mengés.
Insight?. New York: Gagosian Gallery.
Old School. London: Hauser and Wirth Colnaghi. Text by Gregor Muir.
Rockers Island: Olbricht Collection. Essen, Germany: Museum Folkwang; Göttingen, Germany: Steidl.
Der Symbolismus und die Kunst der Gegenwart (The Game of Multiple Meaning: Symbolism and the Art of the Present). Wuppertal, Germany: Von der Heydt-Museum. Texts by Alexandra Bruchmann, Gerhard Finckh, Ann-Katrin Günzel, Hans Hofstätter, Tobias Janz, Franz Nagel, and Ute Riese.
2006
British Art. London: Thomas Gibson Fine Art.
How to Improve the World: Sixty Years of British Art, Arts Council Collection. London: Hayward Gallery. Texts by Marjorie Althorpe-Guyton, Michael Archer and Roger Malbert.
Jean-Honoré Fragonard, 1732–1806: Orígenes e influencias, de Rembrandt al siglo XXI. Barcelona: Obra Social Fundación “la Caixa”. Text by Katharina Schmidt.
Lindemann, Adam. Collecting Contemporary Art. Cologne: Taschen.
Mullins, Charlotte. Painting People: The State of the Art. London: Thames and Hudson.
Passion for Paint. London: National Gallery. Text by Sarah Richardson.
The Starry Messenger: Visions of the Universe: Warwickshire, England: Compton Verney.
Zurück zur Figur: Malerei der Gegenwart. Munich: Kunsthalle der Hypo-Kulturstiftung and Prestel.
2005
Art Now, Volume II. Cologne: Taschen. Edited by Uta Grosenick; text by Ossian Ward.
Neue Kunsthalle IV: Direct Painting. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich.
Rückkehr ins All/Return to Space. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich; text by Markus Heinzelmann.
2004
Berlin 1994–2003. Berlin: Galerie Max Hetzler. Text by Frédéric Paul.
2003
100: The Work that Changed British Art. London: Jonathan Cape and Saatchi Gallery. Text by Patricia Ellis.
Button, Virginia. The Turner Prize: Twenty Years. London: Tate Gallery.
Une Collection de “Chefs-d’œuvre”.Limoges, France: FRAC Limousin.
Cork, Richard. Breaking Down the Barriers: Art in the 1990s. New Haven, USA: Yale University Press.
Dreams and Conflicts: The Dictatorship of the Viewer. La Biennale di Venezia, Fiftieth International Art Exhibition. Venice: Marsilio. Edited by Francesco Bonami and Maria Luisa Frisa.
M_ARS: Kunst und Krieg. Graz, Austria: Neue Galerie am Landesmuseum Joanneum; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Peter Weibel.
Pittura/Painting: From Rauschenberg to Murakami, 1964–2003. Venice: Museo Correr.
Vitamin P: New Perspectives in Painting. London: Phaidon. Text by Barry Schwabsky.
2002
Landscape. London: Saatchi Gallery.
McLean, Daniel, and Karsten Schubert. Dear Images: Art, Copyright, and Culture. London: Riding House, Institute of Contemporary Art.
2001
Frank Auerbach: Painting and Drawings, 1954–2001. London: Royal Academy of Arts. Text by Catherine Lampert.
2000
The British Art Show 5. London: South Bank Centre. Texts by Tony Godfrey, Matthew Higgs, Helen Luckett and Marcelo Spinelli.
Little Angels. London: Houldsworth Gallery. Text by Christopher Bucklow.
The Saatchi Gift to the Arts Council Collection. London: Hayward Gallery. Text by Isabel Johnstone.
The Turner Prize 2000. London: Tate Britain. Text by Mary Horlock.
1999
Collings, Matthew. This Is Modern Art. London: Weidenfeld and Nicolson.
John Moores 21. Liverpool, England: Walker Art Gallery. Text by Richard Cork.
Stallabrass, Julian. High Art Lite. London: Verso.
1998
Ferry, Luc. Le sens du beau. Paris: Éditions Cercle d’Art.
1997
Collings, Matthew. Blimey! From Bohemia to Britpop. Cambridge, England: 21 Publishing.
Pure Fantasy. Llandudno, Wales: Oriel Mostyn Gallery. Text by Susan Daniel.
1996
Lucie-Smith, Edward. Visual Arts in the Twentieth Century. London: Lawrence King.
1995
“Brilliant!” New Art from London. Minneapolis, USA: Walker Art Center. Texts by Richard Flood, Douglas Fogal, Stuart Morgan, and Neville Wakefield; interviews by Douglas Fogal and Marcelo Spinelli.
From Here. London: Waddington Galleries and Karsten Schubert. Text by Andrew Wilson.
Young British Artists V. London: Saatchi Gallery. Text by Sarah Kent.
1993
Barclays Young Artist Award. London: Serpentine Gallery. Text by Sarah Kent.
Mandy Loves Declan 100%. New York: Mark Boote Gallery. Text by Stuart Morgan.
1990
1989
British Telecom New Contemporaries 1989. London: New Contemporaries. Text by Sacha Craddock.
Christie’s New Contemporaries. London: Royal College of Art.