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Artists Talk
Michael Kimmelman, 20143.2 x 16.5 x 23.5 cm, Hardcover, 460 pp pages -
Fragonard Regards Croisés (French)
Jean Pierre Cuzin, Dimitri Salmon, 200715 x 21 x 2.2 cm, Hardcover, 240 pp pages
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Parkett: Kai Althoff, Glenn Brown, Dana Schutz
Jennifer Higgie, Jorg Heiser, 200620.9 x 2 x 25.5 cm, Softcover, 207 pp pages -
Hypermental: Rampant Reality, 1950-2000: From Salvador Dali to Jeff Koons
Zürich Kunsthaus and Hamburger KunsthalleSibylle Berg, Bice Curiger, Paul D. Miller, 200033,3 x 26,9 x 1,3 cm, Paperback, 194 pp pages
Group Catalogues & Books
2024
2023
Adams, Alexander. Dalí. Munich: Prestel Publishing.
Benschop, Jurriaan. Why Paintings Work. Helsinki: Garret Publications.
Drawn: 30 Portraits. London: Ordovas. Essay by Catherine Daunt; introduction by Pilar Ordovas.
Zeller, Robert. New Surrealism: The Uncanny in Contemporary Painting. New York: Monacelli Studio.
2022
Haunted Realism. London: Gagosian. Texts by Mark Francis, Michael Newman and Charles Ray.
2021
de Charmant, Anne and Jeffreys, Tom. Meadow Arts: the first 20 years. Shropshire (UK): Meadow Arts.
2020
00s. Cranford Collection: the 2000s. Montpellier (France): MO.CO. Montpellier Contemporain. Text by Aurelien Bellanger, Vincent Pecoil, Muriel Salem and Freddy Salem.
2019
Fritz, Nicole (ed.). Comeback. Art-Historical Renaissances. Tubingen (Germany): Kunsthalle Tubingen. Text by Nicole Fritz, Zita Hartel, Johannes Meinhardt and Klaus Speidel.
Quaife, Magnus and Wright, Mark (eds.). Teaching Painting: Painting the New. Cambridge (UK): Cambridge Scholars Publishing.
Soriano, Kathleen. Sara Shamma: Modern Slavery. London: King's College.
Werrett, Simon. Thrifty Science: Making the Most of Materials in the History of Experiment. Chicago; London: The University of Chicago Press.
2018
Bell, Julian. What is Painting? London: Thames and Hudson.
Gnyp, Marta. You, Me and Art: Artists in the 21st Century. Italy: Skira.
Rembrandt and Britain. Edinburgh: Scottish National Gallery. Text by Christian Tico Seifert.
2017
Abramson, Seth. Golden Age. Buffalo, New York: BlazeVOX. (cover art)
I Lost My Heart to a Starship Trooper. London: Solopress / Griffin Gallery. Text by Catherine Loewe.
2016
A to Z of Contemporary Art. London: Frieze/Phaidon.
Buchli, Victor. An Archeology of the Immaterial. London: Routledge.
Fullerton, Elizabeth. Artrage!: The Inside Story of the BritArt Revolution. London: Thames & Hudson.
Jerwood Drawing Prize 2016. London: Jerwood Charitable Foundation.
Nude: From Modigliani to Currin. New York: Gagosian Gallery.
Rennaissances: Un hommage contemporain a Florence. Paris: Leinart.
Talking Art 2: Interviews with artists since 2006. London: Riding House.
2015
Art Fiction – De la ville aux étoiles, Paris: RMN.
Centre Pompidou Provisoire, Centre Pompidou Malaga. Madrid: TF Editores.
Grovier, Kelly. Art Since 1989. London: Thames and Hudson.
One Day, Something Happens: Paintings of People: A Selection by Jennifer Higgie from the Arts Council Collection. London: Hayward Publishing. Foreword by Jill Constantine, text by Jennifer Higgie, Lynette Yiadom-Boakye, Glenn Brown, Milena Dragicevic, David Noonan, Paula Rego, Rose Wylie.
2014
Deblonde, Gaultier. Atelier. Gottingen: Steidl. Forward by Jim Lewis.
Lumières: carte blanche à Christian Lacroix. Paris: Paris Musées. Text by Christian Lacroix, Anne Hidalgo.
Post Pop: East Meets West. London: CentreInvest UK Limited. Text by Marco Livingstone, Chang Tsong-Zung, Andrey Erofeev.
Quattrone, Raffaele. IN ITINERE: arte contemporanea in trasformazione. San Cesareo (RM): EQUIPèCO.
Sammlung Im Wandel: Die Sammlung Rudolf und Ute Scharpff. Berlin: Holzwarth Publications. Texts by Stephan Berg, Michael Bracewell, Lutz Eitel, Ulrike Groos, Hans Dieter Huber, Peter Pakesch.
SHE: Picturing women at the turn of the 21st century.Rhode Island: Brown University Press.
Somos Libres II: Works from the Mario Testino Collection. Verona: Rizzoli for Pinacoteca Agnelli.
Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press.
The 21st Century Art Book, London: Phaidon.
2013
Art Now, Volume 4. Cologne: Taschen. Edited by Hans Werner Holzwarth.
Grovier, Kelly. 100 Works of Art That will Define Our Age, London: Thames & Hudson Ltd.
2012
Helvete/Hell, Stockholm: Liljevalchs. Text by Mårten Castenfors, Douglas Feuk, Barbro Stribolt.
L’Image peinte. Enjeux et perspectives de la peinture figurative des années 90 à nos jours. Chatou, France: Les Éditions de la Transparence. Edited by Jean-François Desserre.
The Mechanical Hand: Artists’ Projects at Pauper Press, London: Black Dog Publishing. Text by Michael Taylor in conversation with Glenn Brown.
Mettais, Valerie. Portraits, France: Palette.
Simulating the Marvellous, Manchester: Manchester University Press. Text by David Lomas and Jeremy Stubbs.
2011
Defining Contemporary Art – 25 Years in 200 pivotal artworks. London: Phaidon. Text by Suzanne Cotter, Bice Curiger, Connie Butler, Bob Nicklas, Daniel Birnbaum, Massimiliano Gioni, Okwui Enwezor and Hans Ulrich Obrist.
Grenier, Catherine. Dali, l'invention de soi. Paris: Flammarion.
Grisaille. New York: Luxembourg and Dayan. Text by Alison Gingeras.
Mémoires du futur: la collection Olbricht. Paris: La Maison Rouge-Fondation Antoine de Galbert, Paris. Text by Annabelle Gugnon, Rainer Metzger, Damien Sausset, and Virginie Spenlé.
Mettais, Valerie. Portraits. France: Groupe Qualibris/Palette.
2010
Crash. London: Gagosian Gallery. Text by Dawn Ades, J. G. Ballard, and Will Self.
Curiger, Bice. Täuschend echt: Die Kunst des Trompe-l’oeil. Munich: Albert Hirmer Verlag.
Täuschend echt: Illusion und Wirklichkeit in der Kunst. Hamburg: Das Bucerius Kunst Forum. Edited by Bärbel Hedinger; text by Gottfried Boehm, Angela Breidbach, Hubertus Butin, Philippe Cordez, and Bice Curiger.
2009
Godfrey, Tony. Painting Today. London: Phaidon Press.
just what is it . . .. Karsruhe: ZKM | Center for Art and Media. Text by Götz Adriani, Boris Groys, Gregor Jansen, Heinrich Klotz, Peter Sloterdijk, Wolfgang Ullrich, and Peter Weibel.
100 Contemporary Artists. Cologne: Taschen. Edited by Hans Werner Holzwarth.
2008
Art Now, Volume 3. Cologne: Taschen. Edited by Hans Werner Holzwarth.
Cranford Collection 01. London: Cranford Collection. Text by Andrew Renton.
Exhibition of Musée National de l’Arte Moderne du Centre Pompidou. Korea : GNC Media, Seoul Museum of Art in Korea.
Heiser, Jorg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press.
2007
Button, Virginia. The Turner Prize: Revised Edition. London: Tate.
Cuzin, Jean-Pierre and Salmon, Dimitri. Fragonard Regards/ Croisés. Paris: Mengés.
Insight?. New York: Gagosian Gallery.
Old School. London: Hauser and Wirth Colnaghi. Text by Gregor Muir.
Rockers Island: Olbricht Collection. Essen, Germany: Museum Folkwang; Göttingen, Germany: Steidl.
Der Symbolismus und die Kunst der Gegenwart (The Game of Multiple Meaning: Symbolism and the Art of the Present). Wuppertal, Germany: Von der Heydt-Museum. Texts by Alexandra Bruchmann, Gerhard Finckh, Ann-Katrin Günzel, Hans Hofstätter, Tobias Janz, Franz Nagel, and Ute Riese.
2006
British Art. London: Thomas Gibson Fine Art.
How to Improve the World: Sixty Years of British Art, Arts Council Collection. London: Hayward Gallery. Texts by Marjorie Althorpe-Guyton, Michael Archer and Roger Malbert.
Jean-Honoré Fragonard, 1732–1806: Orígenes e influencias, de Rembrandt al siglo XXI. Barcelona: Obra Social Fundación “la Caixa”. Text by Katharina Schmidt.
Lindemann, Adam. Collecting Contemporary Art. Cologne: Taschen.
Mullins, Charlotte. Painting People: The State of the Art. London: Thames and Hudson.
Passion for Paint. London: National Gallery. Text by Sarah Richardson.
The Starry Messenger: Visions of the Universe: Warwickshire, England: Compton Verney.
Zurück zur Figur: Malerei der Gegenwart. Munich: Kunsthalle der Hypo-Kulturstiftung and Prestel.
2005
Art Now, Volume II. Cologne: Taschen. Edited by Uta Grosenick; text by Ossian Ward.
Neue Kunsthalle IV: Direct Painting. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich.
Rückkehr ins All/Return to Space. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Christoph Heinrich; text by Markus Heinzelmann.
2004
Berlin 1994–2003. Berlin: Galerie Max Hetzler. Text by Frédéric Paul.
2003
100: The Work that Changed British Art. London: Jonathan Cape and Saatchi Gallery. Text by Patricia Ellis.
Button, Virginia. The Turner Prize: Twenty Years. London: Tate Gallery.
Une Collection de “Chefs-d’œuvre”.Limoges, France: FRAC Limousin.
Cork, Richard. Breaking Down the Barriers: Art in the 1990s. New Haven, USA: Yale University Press.
Dreams and Conflicts: The Dictatorship of the Viewer. La Biennale di Venezia, Fiftieth International Art Exhibition. Venice: Marsilio. Edited by Francesco Bonami and Maria Luisa Frisa.
M_ARS: Kunst und Krieg. Graz, Austria: Neue Galerie am Landesmuseum Joanneum; Ostfildern-Ruit, Germany: Hatje Cantz. Edited by Peter Weibel.
Pittura/Painting: From Rauschenberg to Murakami, 1964–2003. Venice: Museo Correr.
Vitamin P: New Perspectives in Painting. London: Phaidon. Text by Barry Schwabsky.
2002
Landscape. London: Saatchi Gallery.
McLean, Daniel, and Karsten Schubert. Dear Images: Art, Copyright, and Culture. London: Riding House, Institute of Contemporary Art.
2001
Frank Auerbach: Painting and Drawings, 1954–2001. London: Royal Academy of Arts. Text by Catherine Lampert.
2000
The British Art Show 5. London: South Bank Centre. Texts by Tony Godfrey, Matthew Higgs, Helen Luckett and Marcelo Spinelli.
Little Angels. London: Houldsworth Gallery. Text by Christopher Bucklow.
The Saatchi Gift to the Arts Council Collection. London: Hayward Gallery. Text by Isabel Johnstone.
The Turner Prize 2000. London: Tate Britain. Text by Mary Horlock.
1999
Collings, Matthew. This Is Modern Art. London: Weidenfeld and Nicolson.
John Moores 21. Liverpool, England: Walker Art Gallery. Text by Richard Cork.
Stallabrass, Julian. High Art Lite. London: Verso.
1998
Ferry, Luc. Le sens du beau. Paris: Éditions Cercle d’Art.
1997
Collings, Matthew. Blimey! From Bohemia to Britpop. Cambridge, England: 21 Publishing.
Pure Fantasy. Llandudno, Wales: Oriel Mostyn Gallery. Text by Susan Daniel.
1996
Lucie-Smith, Edward. Visual Arts in the Twentieth Century. London: Lawrence King.
1995
“Brilliant!” New Art from London. Minneapolis, USA: Walker Art Center. Texts by Richard Flood, Douglas Fogal, Stuart Morgan, and Neville Wakefield; interviews by Douglas Fogal and Marcelo Spinelli.
From Here. London: Waddington Galleries and Karsten Schubert. Text by Andrew Wilson.
Young British Artists V. London: Saatchi Gallery. Text by Sarah Kent.
1993
Barclays Young Artist Award. London: Serpentine Gallery. Text by Sarah Kent.
Mandy Loves Declan 100%. New York: Mark Boote Gallery. Text by Stuart Morgan.
1990
1989
British Telecom New Contemporaries 1989. London: New Contemporaries. Text by Sacha Craddock.
Christie’s New Contemporaries. London: Royal College of Art.